The last album of the McGuinn-White Byrds borrows the name of a Gospel hymn for it’s title.
Produced by The Byrds, Columbia Records, Released November 17, 1971, Length 32:02
Deeply annoyed with the heavy orchestration and gospel choir backup vocals added by producer, Terry Melcher, to their previous album, “Byrdmaniax,” Roger McGuinn and his ersatz Byrds hired hands (Clarence White, Gene Parsons, Skip Battin) were anxious to record a simpler, pared down response. The band self-produced the eleventh Byrds album, “Farther Along,” while touring in England in July 1971, only one month after the release of “Byrdmaniax.”
“Farther Along” was released on November 17, 1971 and peaked at #152 on the album charts, making it the second-worst performance by a Byrds album, charting only slightly ahead of the #153 position by “Dr. Byrds and Mr. Hyde.” The single, “America’s Great National Pastime”/”Farther Along,” was released on November 29, but failed to chart.
Several of the songs on “Farther Along” featured a 1950s rock-and-roll theme. There’s very little to recommend about this album. In my opinion it’s the Byrds’ worst effort. After the release of this album, as the McGuinn-White Byrds sputtered to an end, McGuinn would fire drummer Parsons in July 1972 (to be replaced by John Guerin and others) and bassist Battin in mid-February, 1973. McGuinn officially dissolved the McGuinn-White Byrds just prior to the March 1973 release of the reunion album from the five founding members.
- Tiffany Queen (McGuinn) – McGuinn pays tribute to Chuck Berry. Catchy but unoriginal.
- Get Down Your Line (Parsons) – Parsons stumbles badly with this loser.
- Farther Along (traditional arranged by White) – Another Gospel song recorded by the Byrds. The Lord used these Byrds renditions of Gospel hymns along with many other things and people to eventually draw me to Him. Listen to the Byrds’ version of “Farther Along” here.
- B.B. Class Road (Parsons, Dawson) – For years, music writers questioned why McGuinn had allowed roadie “Dinky” Dawson to sing lead on this throwaway tune when it was actually Parsons performing the vocal. Has my vote for the very worst Byrds song.
- Bugler (Murray) – Excellent tune. Clarence does a nice job on the vocals given his limitations. Song writer Larry Murray was a member of the Scottsville Squirrel Barkers, which also featured ex-Byrd, Chris Hillman. Listen here.
- America’s Great National Pastime (Battin, Fowley) – More of the same Tin Pan Alley piano-driven schlock Battin-Fowley brought to “Byrdmaniax” (Tunnel of Love, Citizen Kane).
- Antique Sandy (McGuinn, Battin, Parsons, White, Seiter) – Has a few moments.
- Precious Kate (Battin, Fowley) – McGuinn sings this mediocre Battin-Fowley number.
- So Fine (Otis) – The Byrds cover this 1959 single from the Fiestas.
- Lazy Waters (Rafkin) – A pretty good tune from folkie, Bob Rafkin, but Battin’s vocals are overdone.
- Bristol Steam Convention Blues (Parsons, White) – A simple bluegrass tune.
2000 CD reissue bonus tracks
- Lost My Drivin’ Wheel (Wiffen) – McGuinn and session musicians.
- Born to Rock and Roll (McGuinn) – The Byrds and Charles Lloyd on sax.
- Bag Full of Money (McGuinn, Levy) – McGuinn, White, Battin and drummer John Guerin.
- Bristol Steam Convention Blues (Parsons, White) – Alternate version
Next month we will review the Byrds’ final album, the 1973 reunion misstep recorded by the five original founding members of the band.