While searching our county library’s database for items listed under “Roman Catholicism,” I stumbled across this very interesting French film:
The Nun (La religieuse)
- Directed by Guillaume Nicloux
- Based on Denis Diderot’s popular 18th-century novel, “The Nun (La religieuse),” and adapted to the screen by Guillaume Nicloux and Jérôme Beaujour
- Featuring Pauline Etienne as Suzanne Simonin, Isabelle Huppert as Supérieure Saint-Eutrope, and Louise Bourgoin as Supérieure Christine
- Distributed by Le Pacte (France), 2013, Running Time: 100 minutes
In mid-17th-century France, a 17-year-old girl, Suzanne, is placed in a convent by her parents for supposedly only a limited period of time. Suzanne subsequently learns from the friendly mother superior (Francois Lebrun) that her parents intend for her to remain in the convent and become a nun. The girl rebels against the rigidity of convent life, refusing to take her “final vows” at the last second, and is sent back to her parents.
Suzanne’s mother reveals to the girl that she is her illegitimate child and that she will not be sharing in the family’s dwindling estate. Suzanne is sent back to the convent, much to her displeasure, but sadness turns to terror when the friendly mother superior dies and is replaced by the harsh Supérieure Christine, who is determined to crush the girl’s rebellious spirit. Suzanne manages to smuggle out a plea for help to sympathetic parties, and Supérieure Christine retaliates by relentlessly punishing the girl to the brink of death.
Suzanne’s outside benefactors are able to arrange her transfer to a different convent, which initially appears to be much less harsh. However, it’s soon revealed that the nun in charge, Supérieure Saint-Eutrope, is a lesbian who preys upon her younger charges. Saint-Eutrope makes several advances upon Suzanne, but the girl is able to rebuff her. Suzanne reveals the sordid goings on within the convent to a visiting priest confessor, who then works in league with her benefactors to stage her escape.
After traveling all night, Suzanne awakes inside a sprawling estate. She learns her wealthy benefactor, who had saved her from the horrors of the convent, was her biological father, who had died during the night. She can look forward to a secure future on the estate with her half-brother.
It’s disturbing to follow Suzanne’s horrific experiences within the two convent hell-holes. However, this fictional story is an excellent portrayal of the real abuse that routinely took place within Catholic convents, rectories, seminaries, and the palaces of prelates century after century. Suzanne’s character represents the millions of women and men, girls and boys who were physically, emotionally, and/or sexually abused over the course of a millennia by the “celibate” Catholic clergy. Sadder still are all of the Roman Catholic souls who have been misled by their church’s false gospel of salvation by sacramental grace and merit.
Actress Pauline Etienne does an excellent job in her portrayal of a young woman caught in her religion’s legalism, ritualism, and extreme asceticism, which all veiled the unspeakable corruption at its core.